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Lymelight Music Publishing • Posts Tagged ‘Business’

K-STARR Final Mixdown Studio Session Of Party Buck Single @ Chung King Studioes



Published on Dec 24, 2012

© 2012 PALM TREE FLOW RECORDS

ON ITUNES SOON

SOUND CLOUD LINK 
http://soundcloud.com/kstarrfanpage/kstarr-round-the-world 

LIKE THE FACEBOOK PAGE 
https://www.facebook.com/RizingMuzikKSTARR

SUBSCRIBE TO THE YOUTUBE 
http://www.youtube.com/user/KStarrMuzik

BOOKING CONTACT
nigelangus@gmail.com

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Source: youtube.com

ARTIST K-STARR MUSIC VIDEO AT THE BIGGEST CONCERT HALL IN QUEENS “AMAZURA” LOCATED AT 9112 144th Place Queens, NY 11435 FOR HIS SINGLE FROM HIS EP “PARTY BUCK” FEAT RIKROOT DRINKS WILL BE SOLD STARTING AT 5PM SEP 26TH LADIES COME SEXY (DANCEHALL VIDEO)
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ARTIST K-STARR MUSIC VIDEO AT THE BIGGEST CONCERT HALL IN QUEENS “AMAZURA” LOCATED AT 9112 144th Place Queens, NY 11435 FOR HIS SINGLE FROM HIS EP “PARTY BUCK” FEAT RIKROOT DRINKS WILL BE SOLD STARTING AT 5PM SEP 26TH LADIES COME SEXY (DANCEHALL VIDEO)

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Source: facebook.com

International Reggae Artist Charly Black’s Electronic Press Kit (EPK). For Booking or Other Entertainment Inquiries Please Contact: Nigel Angus - nigelangus@gmail.com 347-498-5241 or Jamel Raines - jamel.raines@gmail.com 757-449-0282.  Available For Guest Appearances, Cameo Appearances, Dub Plates, Commercials, Voice Overs, Product Endorsements, Etc. Serious Inquiries Only.

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Source: vimeo.com

Fan Video Project For Client

Greetings Tumblrs,

I have a client I am working with who wants a Fan-made style YouTube video done for two songs that are being released on their next Album.  

A brief overview of what my client is looking for:

The basic theme behind each video involves creating a thought in the viewer’s mind of being a kid again. The created video will be simple, clean, realistic and respectable. The video should surprise the viewer and catch them off guard within the first ten to fifteen seconds; it should entice the viewer to share despite the like or dislike of the kind of music. The created video should be cleaver, artistic and poetical. The video should also be cost effective from the standpoint of a “fan-created” video and use of digital technology available widely across the Internet. Each video should appeal to males and females across the globe of all ages.

YouTube videos created for each song will coincide with the official United States release of his Classical Album.

In box me for the full Request for Quote document.

Thanks in advance, happy Tumbling!

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Samson Tech’s I Don’t Know About Yall!!!

I sent my Samson GT Studio speakers off the last week of March 2012, they recieved them on April 2nd.  I just got them back today May 2, 2012.

I reported that the Clip lights stay on with or without audio being played though the speakers. Sent an email to Samson, got my RA number about two days later and sent them off.

Here was their response on the Service performed:

Blemishes on Unit. Tested thoroughly to spec., Unit tested ok. No problems found with the unit. Unit was looked at by 2 techs.

Samson, are you serious…stop the nonsense. Here is my response below with a detailed use case scenario:

Jamel L. Raines

Co-Founder

Palm Tree Flow Records

6008-B Green Ash Court

Suffolk, VA, 23435-2082 

May 2, 2012

To: Samson Tech

RE: RA Number 01175270

 Just got my speakers back today via FedEx and I have a big problem. The details and use case for the condition of my speakers are listed below:

 Audio Playback Setup:

Macbook Pro 15” (1)

Y-Cable by Belkin (2)

USB 2.0 Cable (1)

Samson Studio GT Speakers

 Use Case:

With only the right side of the speaker hooked up; ran “Y-Cable” from headphone jack of the Macbook Pro to input side L&R of Right Side Speaker.

 Audio playing from Serato Scratch Live Software

Audio plays good and then the sound quality slowly diminishes; becoming distorted. Speaker “Level” button is at 12 O’clock on Studio GT’s; volume is at half way on the Macbook Pro.

 Both clip lights come on after .51 seconds of audio play.

This happens for both belkin Y-cables

This happens also when the USB cable is used

 This happens with the volume turned all the way down on the Studio GT’s with both a USB & Y-cable connection with the audio playing.

 This happens with the volume turned all the way down on the Studio GT’s with both the USB & Y-cable connected with no audio playing.

 This happens with the volume turned all the way down on the Studio GT’s with no connections hooked up; only power turned on.

 The same conditions above existed the first time I reported my problem to you; now I have decided to take the extended time to develop the above use case to provide substantial detail into what is going on.

 There is no way I can believe that two Techs looked at my speakers and found nothing wrong with the above noted from the simple use case described above; no mixing board was in play.  Please help, I hold this company in high regard when it comes to Audio Components but now that is going to be very hard to do when I receive my Studio GT’s back from you guys with handwritten notes stating that two Techs looked at them and found nothing wrong.

 The same conditions above existed the first time I reported my problem to you; now I have decided to take the extended time to develop the above use case to provide substantial detail into what is going on.

 Your expedited handling of this situation is greatly welcomed and appreciated.

 Thank you in advance for your time, patience and understanding.

 Jamel L. Raines, MBA. MSEB.

Co-Founder

Palm Tree Flow Records

Lymelight Music Publishing

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Parade’s Off: Caribbean Day Short on Cash, Forced to Cancel Posted by Lydia DePillis on Apr. 9, 2012 at 9:31 pm Farewell, fun. Brace yourself, Caribbean Parade lovers: Last year’s was probably the last. Or at least the beginning of a hiatus.The event’s president, Roland Barnes, told the Georgia Avenue Community Development Task Force this evening that the challenges of debt from previous years, lack of support from the city, and the pall cast by last year’s shootings had proven too great to overcome.“Unless someone is able to wave a magic wand in the next 24 hours, there will be no parade on Georgia Avenue,” Barnes said mournfully. “The reality of the last few years was that donations and sponsorships were in one direction, and costs were in another direction.”The parade is still about $200,000 in debt to the city, Barnes said, and would need at least that much again in order to put on the parade, which had been scheduled for June 23 and 24. While previous mayors have done what it took to make the event happen, this administration isn’t interested.“We have seen a 180-degree turn in terms of support for this event,” added the event’s executive director, Loughton Sargeant. “It was only a matter of time before the city was going to pull the plug.”The news comes after the release of a study by the Howard University School of Business quantifying the Festival and Parade’s impact on local businesses. Researchers estimated last year’s attendance at 400,000 attendees—which seems high—and figured they spent $21,637,166 total, generating $1,298,230 in sales taxes. Needless to say, every single one of the 50 businesses surveyed was in favor of continuing the parade, and even extending its route (it had to be cut short on account of finances last year).Folks in attendance at the meeting were none too pleased at the news, and suggested that Barnes hadn’t tried hard enough to raise the necessary funds. Stacey Lincoln, a special assistant to Councilmember Vincent Orange, reminded him that the mayor had just allocated $240,000 in the budget for a flashy Emancipation Day parade next Monday. Roger Neely, a local real estate broker, suggested they hit up the area’s big developers—he figured he could raise $100,000 between Chris Donatelli and Doug Jemal.Barnes listened, but didn’t look optimistic that this thing could be saved. “It’s somewhat disheartening to see it fold,” he said. “It’s a learning experience for us.”UPDATE, Tuesday, 6:03 p.m. - Organizers say they may have found a way to save the Festival—by moving it somewhere else.Photo by Matt Dunn  Comment by Richard Morales 2 hours agoThat’s too bad…We hoped it would not happen, but here it is. What’s difficult to grasp is that 400,000 visitors to the festival spent $21M+ with local business during the festival and the carnival committee can’t raise $200K to pay its bills. That’s $.50 per attendee. The lesson here Mr. Barnes, is that the committee never figured out how to convert these great numbers into income to save itself. The business model was either flawed or one did not exist. My guess is that if the festival attracted 1 million attendees, the committe would still be short on funds. As we move forward, we have to look at the business model for DC Carnival. Take a page out of the small promoters handbook. In their world..More attendees mean more income.  Even if the goal is not to make a profit, at least we can comfortably handle the cost obligations. Its probably too late for this committee to salvage that idea. The miracle we need is a new group who is capable of applying a new business model that will always ensure that the festival meets its financial obligations as long as we continue to have so many attendees. To the present DC Carnival committee members, a hearty Thank You is in order for the vision and the hard fight over the last 19 years of the festival. I know many of them personally and have the utmost respect for each one. The reality however is that we should not continue to apply old remedies to recurring problems when we know with certainty, that they will fail.
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Parade’s Off: Caribbean Day Short on Cash, Forced to Cancel

Posted by Lydia DePillis on Apr. 9, 2012 at 9:31 pm

Farewell, fun.

Brace yourself, Caribbean Parade lovers: Last year’s was probably the last. Or at least the beginning of a hiatus.
The event’s president, Roland Barnes, told the Georgia Avenue Community Development Task Force this evening that the challenges of debt from previous years, lack of support from the city, and the pall cast by last year’s shootings had proven too great to overcome.
“Unless someone is able to wave a magic wand in the next 24 hours, there will be no parade on Georgia Avenue,” Barnes said mournfully. “The reality of the last few years was that donations and sponsorships were in one direction, and costs were in another direction.”
The parade is still about $200,000 in debt to the city, Barnes said, and would need at least that much again in order to put on the parade, which had been scheduled for June 23 and 24. While previous mayors have done what it took to make the event happen, this administration isn’t interested.
“We have seen a 180-degree turn in terms of support for this event,” added the event’s executive director, Loughton Sargeant. “It was only a matter of time before the city was going to pull the plug.”
The news comes after the release of a study by the Howard University School of Business quantifying the Festival and Parade’s impact on local businesses. Researchers estimated last year’s attendance at 400,000 attendees—which seems high—and figured they spent $21,637,166 total, generating $1,298,230 in sales taxes. Needless to say, every single one of the 50 businesses surveyed was in favor of continuing the parade, and even extending its route (it had to be cut short on account of finances last year).
Folks in attendance at the meeting were none too pleased at the news, and suggested that Barnes hadn’t tried hard enough to raise the necessary funds. Stacey Lincoln, a special assistant to Councilmember Vincent Orange, reminded him that the mayor had just allocated $240,000 in the budget for a flashy Emancipation Day parade next Monday. Roger Neely, a local real estate broker, suggested they hit up the area’s big developers—he figured he could raise $100,000 between Chris Donatelli and Doug Jemal.
Barnes listened, but didn’t look optimistic that this thing could be saved. “It’s somewhat disheartening to see it fold,” he said. “It’s a learning experience for us.”
UPDATE, Tuesday, 6:03 p.m. - Organizers say they may have found a way to save the Festival—by moving it somewhere else.
Photo by Matt Dunn

 Comment by Richard Morales 2 hours agoThat’s too bad…We hoped it would not happen, but here it is. What’s difficult to grasp is that 400,000 visitors to the festival spent $21M+ with local business during the festival and the carnival committee can’t raise $200K to pay its bills. That’s $.50 per attendee. The lesson here Mr. Barnes, is that the committee never figured out how to convert these great numbers into income to save itself. The business model was either flawed or one did not exist. My guess is that if the festival attracted 1 million attendees, the committe would still be short on funds.
 
As we move forward, we have to look at the business model for DC Carnival. Take a page out of the small promoters handbook. In their world..More attendees mean more income.  Even if the goal is not to make a profit, at least we can comfortably handle the cost obligations. Its probably too late for this committee to salvage that idea. The miracle we need is a new group who is capable of applying a new business model that will always ensure that the festival meets its financial obligations as long as we continue to have so many attendees.
 
To the present DC Carnival committee members, a hearty Thank You is in order for the vision and the hard fight over the last 19 years of the festival. I know many of them personally and have the utmost respect for each one. The reality however is that we should not continue to apply old remedies to recurring problems when we know with certainty, that they will fail.
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Source: mycaribbean.us